Claire Louise Huder

Claire Louise HuderClaire Louise HuderClaire Louise Huder

Claire Louise Huder

Claire Louise HuderClaire Louise HuderClaire Louise Huder
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In a world without empathy, we are all animals.

Dissonance is a thrilling 53,400-word young adult science fiction mystery and family drama—the first of a proposed trilogy—set in a near-future society that has elected to rid itself of all emotion through forcibly-extracted means. 


The book holds the potential to attract the attention of adults of all ages—particularly fans of music, history, and psychology—through its rich and unique vocabulary, and its thought-provoking subject matter, and will appeal to readers of The Knife of Never Letting Go by Patrick Ness, City of Shadows by Ariana Franklin, and the Divergent series by Veronica Roth.


The uniqueness of Dissonance stems from its brazen challenge of a variety of issues impacting today’s society and the musical terms ironically utilized throughout the story against the utter lack of feeling the fictional society has adopted; this can be compared directly to the fight within our current society to acknowledge emotion the importance of empathy. Thus, anyone can identify with Dissonance no matter their age, origin, or status in life. There is also an accompanying screenplay that I aim to film independently with talented and experienced talent and industry professionals.

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Synopsis

In the not-too-distant future, society has eliminated emotion in pursuit of progress and perfect order. Citizens, known as Consonance, live expressionless, efficient lives, their feelings regularly extracted by enslaved empaths called “tuners.” These unfortunate souls are hidden from public view, used as human instruments to prevent citizens from slipping into an unstable emotional state known as Dissonance. 


Peter Primobasso is a curious teenage Consonance living in an imposing home with his father, Roman, and preteen sister, Zoe. There is no mother—and, according to Peter’s memory, there never has been. While Zoe thrives under their father's rigid control, Peter struggles to live up to both Roman’s and society’s expectations. 


After being granted more responsibility within the household, Peter dares to speak with the tuner imprisoned in his family's basement—a young woman whose presence he has always ignored. Her name is Eloise. As their conversations deepen, Peter uncovers disturbing truths about her connection to the Primobasso family and begins to question his past, his identity, and whether their so-called evolution is truly progress–or a grave societal mistake.

Characters

The character of Peter is lightly inspired by my younger brother, who is a high-functioning autistic gentleman with an amazing recall for facts and an unlimited curiosity. Through my admiration of Dante’s Divine Comedy, the character of Peter not only has the curiosity of my younger brother, but also that of Dante Alighieri himself as he dares to embark with Virgil on their dual adventure just as Peter embarks with Eloise both intellectually and, ultimately, physically as they attempt to break from their physical and figurative chains,. While Peter is the main focus of the story, the tuner in the basement—whom we come to know as Eloise and is loosely based off of myself—becomes a second character on which the story begins to also focus. As their stories intertwine, the reader is thrust into a heartfelt tale of familial love, loss, and redemption, and a fight for freedom that sets itself up for a saga-like continuation as the two main characters embark into a world with purpose and renewed senses.


While inspired by living individuals and in possession of their own unique identities, my characters are also influenced by those from books I have read. I have always been inspired by multi-faceted female characters who not only go through hardship but have an inner fire and resilience beyond their vulnerability, and the character of Vesuvia Adelia Rachel Ortese Aguilar (Adelia) in the Mistress of the Art of Death series by Ariana Franklin is surely a root influence to my female characters, including Eloise. Her unyielding nature to stay true to herself is as admirable as her fierce protection of those she loves, yet she does not deny her weaknesses; this is in a similar manner to Esther in City of Shadows by the same author, whose inner strength is truly commendable as she not only survives a horrific trauma but then stays true to her reborn persona despite the danger she faces simply due to her identity (like the tuners in Dissonance). Finally, the imposing figure of Roman Primobasso echoes the heartlessness, ruthlessness, and charisma of figures like Mayor David Prentiss of The Knife of Never Letting Go by Patrick Ness and Sir Joscelin of Mistress of the Art of Death.

Peter

Peter

Peter

Older brother

Roman

Peter

Peter

Father

Zoe

Peter

Eloise

Younger sister

Eloise

and The Chamber

Eloise

Tuner

and The Chamber

and The Chamber

and The Chamber

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